Book cloth - Revision history

Adminsuzy at 16:03, 26 October 2020

2020-10-26T16:03:00Z

Adminsuzy at 15:43, 26 October 2020

2020-10-26T15:43:00Z

Adminsuzy at 15:42, 26 October 2020

2020-10-26T15:42:38Z

Adminsuzy at 23:01, 17 September 2020

2020-09-17T23:01:58Z

Adminsuzy at 23:00, 17 September 2020

2020-09-17T23:00:05Z

Adminsuzy at 22:59, 17 September 2020

2020-09-17T22:59:37Z

Adminsuzy at 22:58, 17 September 2020

2020-09-17T22:58:12Z

Adminsuzy at 22:56, 17 September 2020

2020-09-17T22:56:59Z

Adminsuzy: Text replacement - "Skos:broader" to "Broader"

2020-09-13T01:14:27Z

Text replacement - "Skos:broader" to "Broader"

Adminsuzy: Text replacement - "|internal page=" to "|label="

2020-09-03T15:54:01Z

Text replacement - "|internal page=" to "|label="

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 |relation=Broader
 |label=Cloth
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 {{Concept relation

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-|relation=skos:Collection
+|relation=HistoryNote
 |label=Cloth as a covering material for books is said to have been introduced, in England, by William Pickering, possibly as early as 1821-23, although books bound in burlap go back to the 1760s. Pickering's cloth was calico, a soft clothing material which disintegrated in the presence of glue unless it was lined with paper.ARCHIBALD LEIGHTON is generally credited with being the first to introduce a really durable cloth for covering books. The first true book cloth was a dyed and glazed calico, prepared with a starch filler to make it resistant to the moisture in glue.  The first cloth had little character and was aesthetically unpleasant. It was also without natural texture and the threads gave it a somewhat raw and unfinished appearance. What was needed was some sort of decoration which would make the threads less obvious. When this came about, it took the form of embossed grains worked on the material, either in the roll or piece. One of the earliest designs, introduced in 1831, was a water finish, which may have been an outgrowth of the watered silk patterns that were introduced in 1828; it was used only for a short period because of its high cost and poor durability. See also:CLOTH GRAINING .  For several years following the introduction of cloth, it was the usual practice of binders to buy the cloth in its basic white color, and then have it dyed, filled, and otherwise prepared for use, or to dye and finish it themselves. Embossing was done at first by means of ribbon embossers, but this was expensive, and the larger binderies did their own embossing by means of manually operated, heated rollers. By the 1840s, however, the complete manufacture of finished book cloth had become a separate business.  Notwithstanding its obvious advantages, it was not until the middle of the 19th century that cloth largely replaced paper in regular edition binding. The rapid increase in the use of cloth was largely due to the successful methods that were developed of blocking in gold on cloth-covered cases. It was then possible to give cloth bindings a finished appearance which enabled them to be compared favorably with hand-tooled leather and, therefore, acceptable as a permanent binding.
 |source=Etherington

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 |label=Half cloth (binding)
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 |label=Publisher's binding
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 |label=Langwe
 |status=alternate
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 |label=Imperial morocco cloth
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 |language=de
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 |status=alternate
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 {{Concept relation
 |relation=Skos:Concept
-|internal page=Materials
+|label=Materials
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 {{Concept relation
 |relation=Skos:broader
-|internal page=Cloth
+|label=Cloth
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 {{Concept relation
 |relation=Dcterms:isPartOf
-|internal page=Half cloth (binding)
+|label=Half cloth (binding)
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 {{Concept relation
 |relation=Skos:example
-|internal page=Library buckram
+|label=Library buckram
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 {{Concept translation